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2020-2024

L'Indicible The Thinkers City Gallery Wien Tous Les Jours Slackers Visibility (at Basel) Are You Alone? I Am Not a Woman cocotte@systema La réforme de Pooky Les Trois Mousketeers Career Girl Le Magasin Cancer de la gorge

2016-2019

Self-Realization Futur ancien fugitif Retrospective 1:15 I Love My Taste Wedding Bouquets They Call Us The Screamers No to Crucifixions Le Bien Turing (...)& I

2011-2015

Perfumes For The Poor (2011-22) Mohamed je t'aime Praying Giraffes Not Quite Beyond Maman Leftist Jewelry Perrotin & co and more The Monstruosity of the Address Sales on Luxuary Shoes 2 Timothy 3 The Social Oysters & Goats Chez les filles

2006-2010

Some People Believe That... God Is A Virus Have Faith Abandon All Hope The Avant Garde is Dying Listening to Bobby Few Nobody Loves Me Extremely Happy Je t'admire mon chéri

2001-2005

Voicing the Vagina The Problem In Art A Hit As An Art Piece The Withdrawal From Conversation Abstract Painting John Russell Kills Fabienne Audeoud A Lecture on My Face

1997-2000

20 Women play the drums topless delearning (1999-2022) Performance-ative Paintings (2000/2004) She Prepared the Staging of Her Death Je suis la plus belle des femmes Fanfare Ciocarla Diva Sketch Royal Ballet King Comm       

FABIENNE AUDEOUD

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Abstract Painting

solo show with John Russell, 'The International 3', Manchester, 2001

Image below: in 'Pourquoi Les Femmes Aiment-Elles L'enfer? Heterospective Fabienne Audéoud & John Russell' curated by Yann Chevallier at Confort Moderne, Poitiers, 2005

fabienne audeoud john russell Abstract Painting contemporary art

fabienne audeoud john russell Abstract Painting contemporary art

Documentation of the eponymous performance by Fabienne Audéoud and John Russell, with the help of agnès b.

published in Everything Magazine, 2002

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The Withdrawal from Conversation, The Return to the Oceanic / The weight of the Breast: Twenty Women Play the Drums Topless