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2020-2022

cocotte@systema La réforme de Pooky Les Trois Mousketeers Career Girl Le Magasin Cancer de la gorge

2016-2019

Self-Realization Futur ancien fugitifAfter Beatrix Potter Retrospective 1:15 I Love My Taste Wedding Bouquets They Call Us The Screamers No to Crucifixions Le Bien Turing (...)& I

2011-2015

Perfumes For The Poor (2011-22) Mohamed je t'aime Praying Giraffes Not Quite Beyond Maman Leftist Jewelry Perrotin & co and more The Monstruosity of the Address Sales on Luxuary Shoes 2 Timothy 3 The Social Oysters & Goats Chez les filles

2006-2010

Some People Believe That... God Is A Virus Have Faith Abandon All Hope The Avant Garde is Dying Listening to Bobby Few Nobody Loves Me Extremely Happy Je t'admire mon chéri

2001-2005

Voicing the Vagina The Problem In Art A Hit As An Art Piece The Withdrawal From Conversation Abstract Painting John Russell Kills Fabienne Audeoud A Lecture on My Face You Cannot Upflit The Poor By Telling Them to be Rich (2000-22)

1997-2000

Practice (1998-2022) Music collaborations (1999-2022) delearning (1999-2022) Performance-ative Paintings (2000/2004) She Prepared the Staging of Her Death Je suis la plus belle des femmes Fanfare Ciocarla Diva Multimedia Recitals 1990-97) Sketch Royal Ballet King Comm

FABIENNE AUDEOUD

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performance-atives paintings

Series of paintings in collaboration with John Russel. In various exhibtions including :

In ‘There Is Nothing More Profane To A Man As An Ugly Woman’ Beaconsfield Gallery, London (UK), 2000

In ‘Becks Futur 2 at ICA London, Fruitmarket Gallery Edinburgh, Bluecoat Gallery Liverpool and Laing Art Gallery, Newcastle (UK) and Sotheby’s New York (USA), 2001

In ‘Gymnasion’,Bregenzer Kunstverein, Bregenz (AT), curated by Peter Lewis and Wolfgang Fetz, 2001

In 'Art Crazy Nation Show' curated by Matthew Collings, Milton Keynes Gallery, 2002

In ‘Off Modern’, with John Russell, La Station, Nice (FR), curated by Yann Chevallier, 2007

In 'Intrusions’ curated by Nathalie Viot and Anne Sudre, Petit Palais, Paris 2007

in ‘Off Modern’,Galerie de l’Espace Diderot, Rezé, curated by Yann Chevallier, 2011

in Art-O-Rama, Marseille, stand du Confort Moderne, 2012

 

performance-ative paintings fabienne audeoud john russell contemporary art Matthew Collings milton keynes gallery

Above: 'Crucifixion (After Grünewald’s Altarpiece, 1515)''

performance-ative paintings fabienne audeoud john russell

You’ll End up Fucking You Mother And (after Garavagio, David and Goliath, 1601) oil on primed black fabric, 99 x 120 cm

performance-ative paintings fabienne audeoud john russell

You Don’t Deserve to Love, I Am Not Telling You That (after Rubens) oil on primed black fabric, 120 x 135 cm

performance-ative paintings fabienne audeoud john russell

You’ll End up Fucking You Mother And (after Garavagio, David and Goliath, 1601) oil on primed black fabric, 99 x 120 cm

performance-ative paintings fabienne audeoud john russell

Owls With Erection, oil on primed transparent taffetas, stretchers made of freshly cut branches, about 25 x 50 cm and 50 x 50 cm

performance atives paintings fabienne audeoud john russel contemporary art confort moderne

performance-atives paintings fabienne audeoud john russel contemporary art confort moderne

above in 'Pourquoi Les Femmes Aiment-Elles L'enfer ? Heterospective Fabienne Audéoud & John Russell'

curated by Yann Chevallier at Confort Moderne, Poitiers, 2005

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