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2020-2022

cocotte@systema La réforme de Pooky Les Trois Mousketeers Career Girl Le Magasin Cancer de la gorge

2016-2019

Self-Realization Futur ancien fugitif After Beatrix Potter Retrospective 1:15 I Love My Taste Wedding Bouquets They Call Us The Screamers No to Crucifixions Le Bien Turing (...)& I

2011-2015

Perfumes For The Poor (2011-22) Mohamed je t'aime Praying Giraffes Not Quite Beyond Maman Leftist Jewelry Perrotin & co and more The Monstruosity of the Address Sales on Luxuary Shoes 2 Timothy 3 The Social Oysters & Goats Chez les filles

2006-2010

Some People Believe That... God Is A Virus Have Faith Abandon All Hope The Avant Garde is Dying Listening to Bobby Few Nobody Loves Me Extremely Happy Je t'admire mon chéri

2001-2005

Voicing the Vagina The Problem In Art A Hit As An Art Piece The Withdrawal From Conversation Abstract Painting John Russell Kills Fabienne Audeoud A Lecture on My Face You Cannot Upflit The Poor By Telling Them to be Rich (2000-22)

1997-2000

Practice (1998-2022) Music collaborations (1999-2022) delearning (1999-2022) Performance-ative Paintings (2000/2004) She Prepared the Staging of Her Death Je suis la plus belle des femmes Fanfare Ciocarla Diva Multimedia Recitals 1990-97) Sketch Royal Ballet King Comm

FABIENNE AUDEOUD

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No To Crucifixions

Solo show at Karst, Plymouth, 2017

17 second-hand mannequins, embroidered clothes, 9 Transparent Faces on taffetas, jewelry made of silicone and found materials, 30 paintings (all oil on canvases).

fabienne audeoud No To Crucifixions contemporary art

fabienne audeoud No To Crucifixions contemporary art

fabienne audeoud No To Crucifixions contemporary art

fabienne audeoud No To Crucifixions contemporary art

below: Video worn by one manequin

Below: video in the show

Not Quite Beyond Good and Evil, More Within.Sacrifice as Decoration, Pain as Ornament.
Fuck Me: I'm a Sofa
Also screened during the evening of performance and films { reality is a very strong move }
Curated by Errant Bodies & General Public in Exile #7, KW Institute for Contemporary Art, 2014

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No To Crucifixions